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Luke Losey's avatar

During a Santo Daime ayahuasca ceremony, I had a vivid vision of a three-dimensional object wrapped in black. The image was clear and distinct, but no explanation or meaning came with it. The vision stayed with me, lingering in my mind after the ceremony and hung about.

Not long after, I came across the phrase by Comte de Lautréamont: “Beautiful as the chance encounter of a sewing machine and an umbrella on a dissecting table.” I had never encountered it before, but I found myself really drawn to it.

I went exploring the phrase online, and pretty quickly I came across an image of Man Ray’s artwork, L’Enigme d’Isidore Ducasse. This piece, which I had never seen or heard of before either was created as an expression of Lautréamont’s phrase: it’s a mysterious object wrapped in black, bound with string, leaving the contents unknown.

When I saw the image, which was identical to the vision I’d had during the ceremony - I felt that immediate and powerful sense of ‘synchronicity’. The sense of recognition was cool but also profound and disorienting.

Still processing, I was home alone—my family was away, and it was just me and the dog. I decided I wanted to watch something - a documentary - for no reasons other than I just did. Scrolling through the endless choices, I came across a documentary featuring Terence McKenna. I had started it at some point but had long since forgotten about or got board of - so I clicked to resume where I’d left off. Within seconds McKenna quoted the exact same phrase by Lautréamont.

The sequence of events—the vision, discovering the artwork that expressed the phrase, and then hearing the phrase again so unexpectedly—felt like the embodiment of a synchronicity in so much as it did not in anyway explain itself, but felt complete.

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